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2.0
HD中字
平采娜·乐维瑟派布恩,马里奥·毛瑞尔,萨哈贾克·波斯安吉特,大卫·阿萨瓦纳德,Watthanachai,Treedecha,Thaweesak,Thananan,Kenneth,Won,Michael,S.,New,James,Laver,Ladapa,Ratchataamonchot,Chris,Wegoda,Fuang,R.,Puttarangsi,Manita,Chobchuen,Siri,Tveter,Hassaya,Isariyasereekul
2022
科幻
简介: 一个故障百出的 AI 机械人正面临被淘汰的命运,却因爱上一个女人而躲进一个男人的血肉之躯,用尽千方百计夺取芳心。
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4.0
HD中字
苏卡达·顾珑希,茱蒂蒙·琼查容苏因,莎婉雅·派莎恩帕雅,瓦伦托恩·帕奥尼尔,瓦尔蕾特·瓦帖儿,雅拉查芃·普金帕可
2022
恐怖
简介: You wake up in a shabby hotel room with no idea how you got there. You can’t recall your name. You discover there seem to be other young women in other rooms in the same predicament, though one of them seems to know your name: Anne. After an unpleasant encounter with a rather large cockroach, you have a screaming fit. That’s when the nurses arrive to sedate you. And by the way, when night falls, you’ll need to escape from a killer demon with the bloodied head of a deer. Faces of Anne relies heavily on elements of the slasher film – and in many ways, that’s exactly what it is. But the film is also a puzzle, whose central question – Why is Anne here? – allows us to explore theories as to its solution until the very last moment. Are we inside a video game? An escape room? The mind of someone with multiple personalities? The elaborate and nihilistic fantasy of a deranged serial killer? It’s nothing new to remark that the best horror films are often those that reflect the fears of society; this film builds a clever – and viscerally terrifying – analogy of some of the difficulties faced by today’s young people.
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9.0
HD
平采娜·乐维瑟派布恩,马里奥·毛瑞尔,萨哈贾克·波斯安吉特,大卫阿萨法纳特,Watthanachai,Treedecha,Thaweesak,Thananan,Kenneth,Won,Michael,S.,New,James,Laver,Ladapa,Ratchataamonchot,Chris,Wegoda,Fuang,R.,Puttarangsi,Manita,Chobchuen,Siri,Tveter,Hassaya,Isariyasereekul
2022
科幻
简介:一个故障百出的 AI 机械人正面临被淘汰的命运,却因爱上一个女人而躲进一个男人的血肉之躯,用尽千方百计夺取芳心。